The Angelika Hoerie exhibit is being presented by guest curator Angie Littlefield, grandniece of the artist. The exhibit shows the personal side of Hoerle.
Hoerle’s work from 1919 until her death in 1923 shows her political conscience. Even though her family, social conventions, personal tragedies and tuberculosis could not stop the passionate artist from her work of World War I Germany.
Most of Hoerle’s known works are on display on loan from the Yale University Art Gallery and Museum Ludwig Cologne. Following the showing at AGO the collection will travel to Museum Ludwig.
“Angelika Hoerle had a desire to change the world through political engagement,” says Michael Parke-Taylor, the AGO’s acting curator of European art. “She was deeply committed to left-wing politics and, in fact, her first prints were of Socialist political martyrs. She also explored the place of female artists in the male-dominated art scene in Cologne.”
The exhibit will be shown from May 23 until August 30.
Also opening on May 23 is Painting as a Weapon:Progressive Cologne 1920–33 / Seiwert – Hoerle – Arntz. The collection organized by Museum Ludwig examines the works of Franz W. Seiwert, Heinrich Hoerle and Gerd Arntz. Curator Lynette Roth will document the artists activities until their work was condemned as ‘degenerate’ in 1933 by the Nazi regime.
The exhibition shows how the Progressives used painting as a weapon during the hard years in Germany prior to the rise of Hitler.
“The rallying cry for Surrealism was ‘we must change life,’” says Parke-Taylor. “A desire to change themselves and the world drove the Surrealists to explore mysteries of the self and to value the irrational over the orderly. Angelika Hoerle’s works are harbingers of surrealism, while the Cologne Progressives seized painting as a tool for change in the midst of post-war economic and social crisis.”
The exhibit will continue until August 30.